Fall/winter 2024 is inspired by Edgar Allan Poe’s poem “The Raven”
Thom Browne made a significant comeback to New York Fashion Week, closing the show with an impressive presentation. Inspired by Edgar Allan Poe’s poem “The Raven,” Browne transformed the stage into a snowy scene featuring a tree clad in a massive puffer coat, animated by a model, and a lit window from which other models emerged.
Browne’s fashion shows are as much about drama as they are about showcasing his latest designs. Narrated by Carrie Coon, the poem added a dramatic flair to the show, with her delivery ranging from calm to agitated, mirroring the poem’s themes of loss and despair.
Drawing from Poe’s poem, Browne incorporated visual elements such as black birds on white coats and jackets adorned with the word “nevermore.” Models wore headpieces resembling ravens and had their nails painted black like talons.
While staying true to Poe’s inspiration, Browne also took creative liberties, incorporating bug motifs reminiscent of 1910s formal tailoring and sculptural elements evoking Kafka’s Gregor Samsa.
The inclusion of roses in the collection tied to the tradition of the Poe Toaster, adding a mysterious touch. Despite the myriad references, Browne emphasized the importance of the process and wearable results, culminating in a magnificent yet practical collection reminiscent of his earlier work in Paris.
Thom Browne fall/winter 2024 ready-to-wear
Photo Credit: courtesy of Thom Browne
Thom Browne fall/winter 2024 ready-to-wear
Photo Credit: courtesy of Thom Browne
Thom Browne fall/winter 2024 ready-to-wear
Photo Credit: courtesy of Thom Browne
Photo Credit: courtesy of Thom Browne
Thom Browne fall/winter 2024 ready-to-wear
Photo Credit: courtesy of Thom Browne
Photo Credit: courtesy of Thom Browne
